Set Building Notes for Orifices
Text, SmellSet building notes on toilet spaces in Hong Kong shopping malls, offering a disinterested account of involuntary bodily movements, inanimate objects, pressure, light, sound and smell in these liminal spaces, an anecdote on space, exploitation and sub...
Was the Tea Cup Set, Ever the Tea Cup Set?
Images, Writing, Mind mapsA cohort of young artists at Jindal University ruminate and extend Aditi's tea cup set from Call #1, transforming it into a metaphor for the sacred, the excess, the voiceless, the (intentionally) obscured and the prohibited in the gender discourse.
This, Here, Now, Alive
Lecture PerformanceA lecture Performance by artist Smriti Rastogi, thinking of the question: “Will the coming year solve the riddle of Mars?" ; holding gaps that language produces; suggesting a new paradigm where the whole communication of the world has to restart.
Amidst Owls, Torpedoes and Serpents
ColloquiumA Colloquium organized on Call #1 by Hekh at India International Center (IIC) in New Delhi. Thinking of institutional fissures, phantoms and graveyards of desire, navigating simultaneous contemporaries, and resonant ferments of desire and co-modellin...
रौशनी, छिपकली और पतंगा, 9+2=11
Text, Theatre PerformanceA story prompting to think of labels, and what’s truly in a name. A performance, exposing the spectacle of enlightenment. Both, provoking to think of our roles as simultaneous witnesses and performers in dismantling labels, language and knowledge.
Ballad of an Art Educator: Rant as Format
Text, Images, MemesA work of f(r)iction, critically examining the institutional settings encountered within the arts education space, as a visual artist, and an employee in the art market- navigating the anxieties, fears, and dreams of young and newly-minted art gradua...
Gulleyball-Moneyball
Writing, Images, Interactive GameA game, thinking through how market anxieties shape artistic practices.
Art in the Age of Institutional Reproduction: Mapp...
Writing, Images, Moving ImagesMapping an institutional turn to self portraiture in College of Art, New Delhi. Ruminating on colonial lingerings, media fetishes, ultimate ‘isms’, artistic labour, and infrastructural and pedagogical deficits.